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Film Analysis: Band Frontman Jason Williamson Assumes Character in Critical Look at Ecstasy Generation Era

Produced by Portishead co-founder the musician-producer, this sharp-edged though undernourished first film turns a sceptical eye on the ecstasy-fueled club scene. Self-serving pillhead David (the actor) first robs an unconscious dealer, then in another flashback tries to break into his own family home. In no time, he's upside down in the remains of his car in a woodland – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with impatience toward townies, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Darkly Funny Duel

The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to free himself from his safety harness, while clumsily segueing into flashbacks of his everyday life. The central theme – that the rave-era youth were mainly focused on number one – is clearly conveyed. But these vignettes are too thin to properly prime us for what to expect when the Poacher turns up, enraged after David strangles his dog. Nevertheless, a grimly amusing standoff unfolds – David eager to get away; the Poacher denying his container of cider, determined to soaking him instead in resentful talk. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.

Visual Flair and Music Video Sensibility

Just a single key story turn, but it results in a hilariously staged rampage on the woodland paths that veers toward rural terror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of bugs in headlights in the opening part, he now lets rip with the full psychedelic grand display, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.

The film is in UK and Irish cinemas from 17 November.

Written by

Margaret Guzman

Elara is a tech journalist and business strategist with over a decade of experience covering digital transformation and startup ecosystems across Europe.

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