The Film Baby Review: An Astute Depiction of Queer Brazilian Survivors Lost in the Established Order

Evoking the city's relentless energy and vibrancy of São Paulo, filmmaker Caetano's bracing drama focuses on those who live on the fringes of an constantly evolving metropolis. Fresh out of juvenile prison, 18-year-old Wellington (the actor João Pedro Mariano) stands at a pivotal juncture; left behind by his parents, the wide-eyed young man seeks comfort in the arms of others.

On an evening out with his rowdy group of LGBTQ+ and gender non-conforming friends, Wellington meets Ronaldo (actor Ricardo Teodoro), a strapping, magnetic hustler significantly older than his age. Shrouded in the wavering neon of a XXX cinema, their initial encounter is intimate and charged, with an tinge of peril. Ronaldo quickly introduces Wellington to the underground scene of the sex trade and drug dealing.

A Study of Empathy Rather Than Exploitation

The film illustrates Wellington’s new life of crime with compassionate understanding as opposed to as a exploitative warning story. Now using the alias Baby, he enters his commercial trysts with cocky bravado and poignant gullibility. To his clients, Wellington offers more than his youth and his body, but also fleeting acts of kindness.

In the hectic energy of São Paulo, filled with crowded backstreets and brightly painted facades, there’s a deep-seated solitude, as unmoored souls hold fast to one another for fleeting joy.

"The city are fraught with peril, yet they are the place where they can discover chosen kin, too."

A Complicated Dynamic of Love and Control

Ronaldo is simultaneously a partner and a sheltering paternal presence to Wellington, but their bond is sabotaged by possessiveness and financial instability. Threats from dubious individuals in the underworld pale in comparison to the fear of government monitoring and jail time, symbolized by the constant sight of police officers in the area.

Baby is particularly impactful as a keen observation of the forgotten souls who have slipped through the gaps the system. The film stands as a poignant exploration into making ends meet, chosen family, and the pursuit of purpose within a unforgiving urban landscape.

Margaret Guzman
Margaret Guzman

Elara is a tech journalist and business strategist with over a decade of experience covering digital transformation and startup ecosystems across Europe.